Liz Tells Frank What Happened on BONES

My friend Frank doesn't watch BONES. I do. So I tell him what happens. At least, the parts worth telling.

Friday, April 07, 2006

The Woman in the Tunnel

Dear Frank,

Wow, it's been a few weeks, huh? And I'm like three episodes behind! Blame it on my infernal need to sleep, which has been kicking in every time I start watching an episode after 11 PM. Or, you know, blame it on BONES itself. After the cuteness explosion last time, the show has taken one big step back from adorable. And since BONES pretty much operates on exactly two levels -- cute or boring -- this is never good.

So I'll make this short. There's this woman, see? In a tunnel. And she's dead, probably from falling into the tunnel from a great height. For it seems there are all these sewer tunnels below DC and they're inhabited by a strange population of what everyone refers to as "mole people." To me, mole people sound like the adorable protagonists of a Disney flick, but they're actually sad broken humans who are hiding from the world above and/or their Tragic Pasts. Deschanel feels right at home! Well, she feels right at home because she's an anthropologist and can be a robot study people objectively. But anyways.

The dead lady was making a documentary on DC homeless living conditions, which is how everyone downstairs knew her, and the investigation brings Bones and Booth to interview this one mole person who was a friend of dead lady, a very sweet guy who's only a little crazy. And he has a very Tragic Past -- he was a Vietnam vet who had to sniper a pregnant lady with a grenade in one hand and a baby in the other. Booth empathizes, just a little too much, which leads Bones to ask exactly how many pregnant ladies he snipered when he was into snipering, and leads Booth to say "Don't ask me questions you don't want to hear the answers to." It's kind of hot, actually. Deschanel's lucky that Buffy wasn't around. (Or the BuffyBot, if Booth's interest in Bones is any sort of indicator of type.)

Anyways, Mole Duder keeps talking about how dead lady was looking for something guarded by "a blonde lady with dead eyes," and Hot Not Asian gets assigned as a sketch artist, despite the fact that she's terrified of crazy people she's not dating. (According to her witty repartee, that is.) The blonde lady is not a lady, though, but a portrait of a lady that was buried with bunches of other national treasures beneath DC during the Civil War as part of some national treasure hiding program. I don't know. All I know is that the dead lady wasn't exploiting the mole people so she could make a documentary about their lives, but exploiting the mole people so she could find the treasure. Too bad those rock climbers she hired to help steal the treasure were all greedy and armed with climbing axes. Whoops! But it's cool, because Booth and Bones find them in the nick of time and Bones gets to point guns and kick butt. Which girlfriend cannot get ENOUGH of. So everyone's happy!

Well, except for Mole Duder. And Booth. And Bones. And everyone else with a tragic past. So really, just Hot Not Asian is happy. But we take what we get, in this life. We take what we can get. Just ask Booth. But only if you're ready to know about all those pregnant women he killed.

Love,
Liz

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